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Works presented

Past, present and future of the maritime heritage of Bueu
Authorship
L.N.D.
Master in Artistic and Architectural Heritage Management, Museums and Art Business
Defense date
02.06.2025 10:00
Summary
Maritime heritage constitutes a fundamental element for understanding the development and identity of coastal communities. The town of Bueu, located in the Morrazo region in Pontevedra, emerges as an ideal setting to analyze, study, and catalog its maritime heritage, as well as to explore strategies for its sustainable management. This study examines potential heritage assets and their current state. It considers those that have disappeared, those that have undergone transformations, those that are still preserved, and those at risk of disappearing. It explores aspects such as the preservation, conservation, and management of tangible assets, such as architectural constructions, boats, fishing gear, etc., and intangible assets, such as trades, markings, or place names, among others. To provide practical relevance, the study seeks to integrate these assets into tourism, educational, and economic dynamics. The purpose of this study is not only to document and evaluate Bueu’s maritime heritage but also to highlight its value as a strategic resource in shaping a local identity. It is important to understand how local communities perceive and participate in the conservation of their heritage, and how this can serve as a driving force for social cohesion and cultural revitalization.
Direction
CORTÉS LÓPEZ, MIRIAM ELENA (Tutorships)
The presence of collective art practices in Spanish museum collections
Authorship
E.P.T.
Master in Artistic and Architectural Heritage Management, Museums and Art Business
Defense date
02.05.2025 10:00
Summary
The present work is based on a previous experience. This dealt with collaborative artistic practices in the contemporary world and the study of three collectives, analysing issues such as the fact that these artistic practices respond to a current conception, but also taking into account the political nature of their discourses. Therefore, based on this analysis, a study was carried out on the presence of collective artistic practices in the collections of the main contemporary Spanish museums, considering, among other factors, whether these museums have echoed these practices and their representation in them. The starting point is a subject that has not been examined in depth at the national level. In this way, and by drawing up an artistic breakdown of collectives in the selected museums (and presenting the dichotomy with the so-called ''couples'' or ''duos'') the aim is to show the museum representation of these groups in Spain.
Direction
DE LLANO NEIRA, PEDRO (Tutorships)
Court
RODRIGUEZ GONZALEZ, MIGUEL ANXO (Chairman)
VILLARMEA ALVAREZ, XOSE IVAN (Secretary)
DE LLANO NEIRA, PEDRO (Member)
The Neorural Phenomenon in Spanish Cinema: The Cases of Alcarràs (Carla Simón, 2022) and El Agua (Elena López Riera, 2022).
Authorship
E.A.R.C.
Master in Artistic and Architectural Heritage Management, Museums and Art Business
Defense date
02.05.2025 10:00
Summary
This Master’s Thesis analyzes the phenomenon of neorural cinema in Spain, focusing on the case studies of Alcarràs (Carla Simón, 2022) and El Agua (Elena López Riera, 2022). To this end, a historical and social context of the neorural phenomenon is provided, understood as the migration from cities to rural areas, along with an overview of the evolution of Spanish rural cinema from its origins to the present day. Through a qualitative approach, the aesthetic, narrative, and thematic elements that connect and distinguish both productions are examined, situating them within the cultural debate surrounding the concept “España vacía (da)”. Thus, the study explores the role of cinema as a contemporary artistic tool to reflect on the social and territorial transformations of recent decades.
Direction
VILLARMEA ALVAREZ, XOSE IVAN (Tutorships)
Court
RODRIGUEZ GONZALEZ, MIGUEL ANXO (Chairman)
VILLARMEA ALVAREZ, XOSE IVAN (Secretary)
DE LLANO NEIRA, PEDRO (Member)
Cartoons in vegliota, the birth of the Banda Deseñada Galega
Authorship
U.P.L.
Master in Artistic and Architectural Heritage Management, Museums and Art Business
Defense date
02.05.2025 10:00
Summary
This work aims to contextualise and explain the origin of Banda Deseñada Galega (BDG), diving into its reivindicative character and its heritage importance as a new channel for artistic creation and expression, paying special attention to the impact that Galician art and culture of the 20th century have on its gestation, as well as the role played by underground culture and international countercultural movements in this process. With this in mind, we will begin by describing the antecedents of comics that we find in our territory since the 19th century, as well as the social and cultural changes that shaped Galicia in the last moments of the Franco´s dictatorship, in order to adequately define a context that helps us understand the references and circumstances on which our comics were born. Later on, we will present those authors who promoted the birth of the BDG in the 1970s, explaining how they came into contact with the medium and the vision they had of it, analysing how this materialises in the various comics they produce. To this end, an analytical reading of several selected works will be carried out, paying special attention to those thematic and stylistic features that will allow us to define the unique and identifying aspects of the BDG.
Direction
RODRIGUEZ GONZALEZ, MIGUEL ANXO (Tutorships)
Court
RODRIGUEZ GONZALEZ, MIGUEL ANXO (Chairman)
VILLARMEA ALVAREZ, XOSE IVAN (Secretary)
DE LLANO NEIRA, PEDRO (Member)