ECTS credits ECTS credits: 6
ECTS Hours Rules/Memories Student's work ECTS: 99 Hours of tutorials: 3 Expository Class: 24 Interactive Classroom: 24 Total: 150
Use languages Spanish, Galician
Type: Ordinary Degree Subject RD 1393/2007 - 822/2021
Center Faculty of Geography and History
Call: Second Semester
Teaching: Sin Docencia (En Extinción)
Enrolment: No Matriculable (Sólo Planes en Extinción)
· Learn the basics of film language.
· Use the terminology of this language in a rigorous and precise way.
· Develop the ability to interpret any audiovisual content from a critical and analytical perspective.
· Practice the use of different elements of this language.
· Basic concepts: take, shot, scene and sequence; shot and reverse shot; onscreen and offscreen; diegetic and extradiegetic sound, etc.
· Camera work: framing and composition, types of shots, perspective and depth of field, types of camera movements.
· Cinematography (light and colour)
· The mise-en-scène
· Sound
· Space
· Time
· The Movement-Image and the Time-Image
· Plot and Story
· Characters
· Film Genres
· Editing
· Film Production
· Film Departments
HANDBOOKS
Aumont, J.; Bergala A.; Marie, M. & Vernet, M. 1989. Estética del cine. Espacio fílmico, montaje, narración, lenguaje. Barcelona: Paidós.
Aumont, J. & Marie, M. 1990. Análisis del Film. Barcelona: Paidós.
Bordwell, D. & Thompson, K. 1995. El arte cinematográfico. Una introducción. Barcelona: Paidós.
Cassetti, F. & Di Chio, F. 1991. Cómo analizar un film. Barcelona: Paidós.
Chion, M. 1993. La audiovisión: introducción a un análisis conjunto de la imagen y el sonido. Barcelona: Paidós.
Edgar-Hunt, R.; Marland, J.; Rawle, S. 2011. El lenguaje cinematográfico. Badalona: Parramón.
Konigsberg, I. 2004. Diccionario Técnico de Cine. Madrid: Akal.
Fernández Díez, F. & Martínez Abadía, J. 1999. Manual básico de lenguaje y narrativa audiovisual. Barcelona: Paidós.
SELECTED BIBLIOGRAPHY
Balló, J. 2000. Imágenes del silencio. Los motivos visuales en el cine. Barcelona: Anagrama.
Canet, F. & Prósper, J. 2009. Narrativa audiovisual. Madrid: Síntesis.
Chion, M. 1992. El cine y sus oficios. Madrid: Cátedra.
Deleuze, G. 1984. La imagen-movimento. Estudios sobre cine 1. Barcelona: Paidós.
Deleuze, G. 1987. La imagen-tiempo. Estudios sobre cine 2. Barcelona: Paidós.
Jullier, L. 2007. El sonido en el cine. Barcelona: Paidós.
Loiseleux, J. 2005. La luz en el cine. Barcelona: Paidós.
Pinel, V. 2004. El montaje. El espacio y el tiempo. Barcelona: Paidós.
Martin, M. 2005. A linguagem cinematográfica. Lisboa: Dinalivro.
Rodríguez Tranche, R. 2015. Del papel al plano. El proceso de la creación cinematográfica. Madrid: Alianza.
Strauss, F. & Huet, A. 2007. Hacer una película. Barcelona: Paidós.
· Know how to identify the elements of film language.
· Understand, analyse and interpret the meaning of a film from a semiotic and discursive perspective.
· Build lines of argument from a critical and analytical perspective through oral, written and even film language.
· Acquire skills in the management of film language as a means for the creation, study and dissemination of works of art.
· Master film language before studying other couses related to the history of film.
Students must prepare this subject by means of the materials of the 2023-2024 course, which are available on the virtual campus.
FIRST CHANCE
· A written essay on one of the films shown in class that explicitly identifies and interprets different elements of film language. Length: 1500-2000 words. Percentage in the final mark: 30% (3 points)
· A short film that consciously uses several elements of film language. Running time: 1-2 minutes. Percentage in the final mark: 30% (3 points).
· A final exam. Percentage in the final mark: 40% (4 points).
SECOND CHANDE
This mark will be achieved from an individual written essay and an exam similar to those of the first opportunity.
In cases of plagiarism or fraud in the exams, the dispositions established in the Regulations for the evaluation of academic performance will be enforced.
3 hours a week for studying the subject and preparing its assignments.
Explore the materials of the 2023-24 course, as well as the handbooks and the selected bibliography in order to practice film analysis and a conscious use of film language.
Xose Ivan Villarmea Alvarez
- Department
- History of Art
- Area
- History of Art
- ivan.villarmea [at] usc.es
- Category
- Professor: LOU (Organic Law for Universities) PhD Assistant Professor
| 06.04.2025 09:30-12:00 | Grupo de examen | Classroom 05 |
| 07.09.2025 09:30-12:00 | Grupo de examen | Classroom 05 |